london film festival 2021 tagged posts

In his directorial debut, Fran Kranz’s opts for a theatrical approach with his new film MASS, a boilerplate chamber drama held together by its incredible performances.

The parents of two boys involved in a school shooting strive for closure in Fran Kranz’s riveting directorial debut, MASS.

Set six years after a fictional school shooting that took 11 lives, the victim’s parents, Jay (Jason Isaacs) and Gail (Martha Plimpton) reach out to the parents of the shooter, Linda (Ann Dowd) and Richa...

Shot in one single, continuous take, Director-Writer Philip Barantini dazzles with his new thriller BOILING POINT.

Following his award-winning short and feature debut VILLAIN (2020), actor-turned-director Philip Barantini dazzles with his new thriller BOILING POINT, which screens at this year’s BFI London Film Festival.

Taking place across an incredibly hectic evening at a top London restaurant, BOILING POINT follows Andy (Stephen Graham), an emotionally damaged and drug-addicted head chef wh...

Full of fresh humour, poignancy, and tenderness, Nana Mensah’s self-assured comedy QUEEN OF GLORY captures the experience of a woman caught between two worlds.

A young woman’s life is thrown into disarray when she inherits her mother’s Christian bookshop in Nana Mensah’s self-assured and charming comedy QUEEN OF GLORY.

The film centres on Sarah Obeng (Nana Mensah), a Columbia science PhD candidate who is preparing to relocate to Ohio with her married boyfriend, Lyle (Adam Leon).

Lyle swears he...

Piseth Chhun in WHITE BUILDING (2021). © Anti-Archive / Apsara Films

Kavich Neang’s returns to the big screen with his fictional debut WHITE BUILDING, a slow-cinema eulogy about Cambodia’s present and recent past

Following his acclaimed documentary LAST NIGHT I SAW YOU SMILING, Kavich Neang’s returns to the big screen with his fictional debut WHITE BUILDING, a slow-cinema eulogy about Cambodia’s present and recent past.

20-year-old Samnang (Piseth Chhun) lives with his family in the majestic W...

Despite struggles with its structure, MONEY HAS FOUR LEGS pays homage to Myanmar’s rich history of cinema and its struggle with censorship.

Last year marked the centenary of Burmese cinema, but many believe its golden days are long over. Dictatorship, corruption, and strict censorship threaten to stifle the creativity of struggling Burmese filmmakers, as Maung Sun’s feature debut MONEY HAS FOUR LEGS attempts to demonstrate.

Set in the post-military world of Myanmar, MONEY HAS FOUR LEGS follows...