Waylon Jacobs in PETER PAN at Barn Theatre, Cirencester. Photo Credit: Eve Dunlop

Stripping J.M. Barrie’s classic tale back to its roots, Alan Pollock’s new take of PETER PAN has a whimsical, nostalgic, and magical charm.

With much of the country in Tier 3 and many theatres forced to remain closed due to Coronavirus restrictions, the annual Christmas theatre outing will likely be off the cards for many families this year...

The Company of RENT at Hope Mill Theatre. Photo Credit: Pamela Raith

Luke Sheppard’s sensational revival of RENT surges with life, passion and a fighting spirit that feels particularly poignant in the current climate

It’s fair to say that, of all the sectors Coronavirus has impacted, theatre is one of the worst-hit. Nothing demonstrates this more than Manchester’s Hope Mill Theatre latest production of RENT...

Employing multiple narrative styles, different perspectives and a highly fragmented timeline, WHAT A CARVE UP! builds up the story meticulously to entice the audience

As regional theatres in England prepare for a second lockdown, the Barn Theatre in Cirencester takes to the spotlight with the premiere of their new digital play, WHAT A CARVE UP! 

Based on Jonathan Coe’s satirical novel, WHAT A CARVE UP! chronicles the events leading up to the fictional ‘Winshaw Murders’...

Kate Winslet and Saoirse Ronan’s moving and unguarded performances impress in AMMONITE, Francis Lee’s forbidden-love story set in 1820s England

British writer and Director Francis Lee follows GOD’S OWN COUNTRY with AMMONITE, a solemn love story sparked by Kate Winslet and Saoirse Ronan.

Set on the overcast coast of Lyme Regis in the 1820s, AMMONITE tells the fictionalised life story of amateur palaeontologist Mary Anning (Katie Winslet) who lives a solitary, nearly silent life with her ...

Violent and nihilistic, Michel Franco’s latest drama NEW ORDER is a riveting and suspenseful dystopian drama that resonates in these deeply troubling times

Michel Franco’s latest drama NEW ORDER marks a stark departure from the stylistic austerity and character-driven work of his previous films AFTER LUCIA and CHRONIC.

Best described as a suspenseful dystopian drama, NEW ORDER’s initial gaze is set on a luxurious home in Mexico City, where a wealthy white family is throwing a private wed...

Informative and entertaining, ONE MAN AND HIS SHOES charts the cultural and commercial phenomena of Air Jordan and the basketball legend who gave the sneakers their name

You don’t need to be a sports fan to know who Michael Jordan is. You also don’t need to be a sneaker fan to have heard of Nike’s Air Jordan...

Despite some questionable plot devices, Ameen Nayfeh’s 200 METERS is a tense and emotional drama about the human implications of separation

Israel’s controversial West Bank barrier is at the centre of Ameen Nayfeh’s feature debut 200 METERS, a humanistic drama about a Palestinian father trapped on one side of the wall when a family emergency calls him to the other.

Every night, Mustafa (Ali Suliman) says goodnight to his children by flashlight, signalling across the 200 metres that keep them...

Quiet, sensitive and thought-provoking, FAREWELL AMOR is an affecting feature debut from promising Tanzanian-American filmmaker Ekwa Msangi

Migration, memory and the importance of home are deftly explored in Ekwa Msangi’s affecting feature debut, FAREWELL AMOR, a thought-provoking drama about a New York-based Angolan man who finally reunited with his family.

As Walter (Ntare Guma Mbaho Mwine) reaches out to hug his daughter Sylvia (Jayme Lawson) and her mother Esther (Zainab Jah) at JFK air...

While some of the comedy falls a little flat, Talya Lavie’s tough and empathetic take on romantic foibles in HONEYMOOD smartly subverts the typical “happily ever after” ending

Fresh from the success of her debut feature ZERO MOTIVATION, which won Best Film at the Tribeca Film Festival along with six Israeli Academy Awards, Director and Screenwriter Talya Lavie is back at the BFI London Film Festival with her new romantic comedy, HONEYMOOD.

Arriving at their lavish honeymoon suite on thei...

Intimate, timely and empowering, Phyllida Lloyd’s latest film HERSELF is one of the strongest films of the BFI London Film Festival so far

Phyllida Lloyd’s latest film HERSELF may not get the big-screen attention her previous work MAMMA MIA! or THE IRON LADY did, but this new British-Irish hope drama more than deserves its place in the spotlight thanks to its stirring script and superb lead performance from co-collaborator Clare Dunne.

HERSELF tells the story of Sandra Kelly (Clare Dunne)...