Category Film Festivals

GRIMMFest Easter 2022: WOODLAND GREY Film Review

Chelsea Goldwater in Woodland Grey (2021)
Despite its frustratingly vague storyline, WOODLAND GREY is an unsettling slow burn, driven by a powerful cast performance and striking cinematography.

3 out of 5 stars

Canadian indie horror WOODLAND GREY is an unsettling slow-burn whose flame threatens to go out at any minute. It follows suspicious forest dweller, William (Ryan Blakely), as he stumbles upon the unconscious Emily (Jenny Raven) and attempts to nurse her back to health...

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GRIMMFEST Easter 2022: THE FAMILY Film Review

THE FAMILY Film

With striking visuals, grippingly intense performances, and a thrillingly unpredictable story, THE FAMILY is horror at its finest.

4 out of 5 stars

Family dynamics, religious oppression, and moral hypocrisy form the focus of Dan Slater’s uneasy and subtly gripping feature film THE FAMILY, which plays at GRIMMFest Easter this coming weekend.

Written by Adam Booth and Dan Slater, THE FAMILY follows a macabre religious cult that relies upon its members to pledge their allegiance to their god, Etan, through har...

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BFI #LFF 2021: MASS Film Review

Martha Plimpton and Jason Isaacs in Mass (2021)

In his directorial debut, Fran Kranz’s opts for a theatrical approach with his new film MASS, a boilerplate chamber drama held together by its incredible performances.

4 out of 5 stars

The parents of two boys involved in a school shooting strive for closure in Fran Kranz’s riveting directorial debut, MASS.

Set six years after a fictional school shooting that took 11 lives, the victim’s parents, Jay (Jason Isaacs) and Gail (Martha Plimpton) reach out to the parents of the shooter, Linda (Ann Dowd) and Richa...

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BFI #LFF 2021: BOILING POINT Film Review

Stephen Graham in Boiling Point

Shot in one single, continuous take, Director-Writer Philip Barantini dazzles with his new thriller BOILING POINT.

4 out of 5 stars

Following his award-winning short and feature debut VILLAIN (2020), actor-turned-director Philip Barantini dazzles with his new thriller BOILING POINT, which screens at this year’s BFI London Film Festival.

Taking place across an incredibly hectic evening at a top London restaurant, BOILING POINT follows Andy (Stephen Graham), an emotionally damaged and drug-addicted head chef wh...

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BFI #LFF 2021: QUEEN OF GLORY Film Review

Nana Mensah in QUEEN OF GLORY

Full of fresh humour, poignancy, and tenderness, Nana Mensah’s self-assured comedy QUEEN OF GLORY captures the experience of a woman caught between two worlds.

4 out of 5 stars

A young woman’s life is thrown into disarray when she inherits her mother’s Christian bookshop in Nana Mensah’s self-assured and charming comedy QUEEN OF GLORY.

The film centres on Sarah Obeng (Nana Mensah), a Columbia science PhD candidate who is preparing to relocate to Ohio with her married boyfriend, Lyle (Adam Leon).

Lyle swears he...

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BFI #LFF 2021: LANGUAGE LESSONS Film Review

Natalie Morales in Language Lessons (2021)

Playing out entirely through phone and laptop screens, LANGUAGE LESSONS is a funny and heart-warming depiction of love and friendship in a virtually connected world.

4 out of 5 stars

After over 18 months of Zoom calls, Skype chats and virtual meetups, you’d be given for thinking that a film shot during the COVID-19 lockdown on phones and video calls isn’t top of your wish list...

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BFI #LFF 2021: White Building (BODENG SAR) Film Review

Piseth Chhun in WHITE BUILDING (2021)

Piseth Chhun in WHITE BUILDING (2021). © Anti-Archive / Apsara Films

Kavich Neang’s returns to the big screen with his fictional debut WHITE BUILDING, a slow-cinema eulogy about Cambodia’s present and recent past

3.5 out of 5 stars

Following his acclaimed documentary LAST NIGHT I SAW YOU SMILING, Kavich Neang’s returns to the big screen with his fictional debut WHITE BUILDING, a slow-cinema eulogy about Cambodia’s present and recent past.

20-year-old Samnang (Piseth Chhun) lives with his family in the majestic W...

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GRIMMFest 2021: MIDNIGHT Film Review

Hae-yeon Kil and Ki-joo Jin in Midnight (2021)

Hae-yeon Kil and Ki-joo Jin in MIDNIGHT (2021)

Intense and action-packed, MIDNIGHT is a grim take on a cat and mouse plot, with enough twists and turns to have you on the edge of your seat throughout

5 out of 5 stars

Director and screenwriter Kwon Oh-Seung brings his debut feature film MIDNIGHT, a South Korean high suspense serial killer thriller, to Manchester’s GRIMMfest this week.

Set in the unlit and empty backstreets of South Korea, MIDNIGHT throws out a sinister twist and toys with film noir while highl...

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GRIMMfest 2021: NIGHT AT THE EAGLE INN Film Review

Amelia Dudley and Taylor Turner in NIGHT AT THE EAGLE INN (2021)

Amelia Dudley and Taylor Turner in NIGHT AT THE EAGLE INN. Photo Credit: Mainframe Pictures

With first-class acting and off-the-seat scare moments, NIGHT AT THE EAGLE INN will leave you questioning any upcoming hotel reservations you may have

4 out of 5 stars

Brothers and creative team Erik and Carson Bloomquist bring NIGHT AT THE EAGLE INN to Manchester’s GRIMMfest to haunt your nightmares and are sure to leave you questioning that upcoming hotel reservation.

NIGHT AT THE EAGLE INN follows Sarah (Amelia Dudl...

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BFI #LFF 2021: MONEY HAS FOUR LEGS Film Review

MONEY HAS FOUR LEGS Production Still

Despite struggles with its structure, MONEY HAS FOUR LEGS pays homage to Myanmar’s rich history of cinema and its struggle with censorship.

3 out of 5 stars

Last year marked the centenary of Burmese cinema, but many believe its golden days are long over. Dictatorship, corruption, and strict censorship threaten to stifle the creativity of struggling Burmese filmmakers, as Maung Sun’s feature debut MONEY HAS FOUR LEGS attempts to demonstrate.

Set in the post-military world of Myanmar, MONEY HAS FOUR LEGS follows...

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