Theatre Review: TITANIC THE MUSICAL – The Lowry, Salford

The cast of Titanic The Musical.

The cast of TITANIC THE MUSICAL. Photo by Scott Ryland

Powerful and poignant, TITANIC THE MUSICAL is an emotional piece of theatre full of hope, love, ambition and tragedy

This review was originally written for The Reviews Hub.

When composer Maury Yeston first announced he was going to write a musical about the Titanic, it was understandably met with scepticism. A musical about the biggest disaster in maritime history in which 1,503 people lost their lives hardly seems fitting. But instead of choosing to focus on the disaster, Yeston chose to focus on the people, delivering a soaring musical that is both accurate and respectful. No wonder it won five Tony Awards, including Best Musical when it opened on Broadway in 1997.

Based on real stories and real people, TITANIC THE MUSICAL is a story of dreams – dreams of building the greatest ship in the world, dreams of rubbing shoulders with the rich and famous and dreams of finding a better life in America. From the millionaire Barons in First Class to the Third Class immigrants desperate to start anew, Yeston, together with Peter Stone, has crafted a powerful, poignant and emotional piece of theatre, full of aspirations, hope, love, ambition and ultimately tragedy.

Claire Machin and Timothy Quin in Titanic The Musical

Claire Machin and Timothy Quin in TITANIC THE MUSICAL. Photo by Scott Rylander

In terms of impact, the production retains the intensity it had on Broadway, although its set has been necessarily scaled down for the touring production. Here, David Woodhead’s elegantly two-tier design instantly evokes the feeling of being on a ship, with moving staircases allowing entrances to and from various parts of the ship. Howard Hudson’s evocative lighting design equally helps to delivers mood, but also spectacle as needed.

Peter Stone’s book is surprisingly historically accurate, as vital statistics about the ship are weaved into musical numbers such as GODSPEED TITANIC and when disaster eventually does occur, it is done with imagination and dignity by director Thom Southerland.

All of the 25 strong cast are excellent, bringing full voice and powerful characterisations to the 80+ roles that they play. Particularly good work comes from Greg Castiglioni as the ship’s architect Thomas Andrews, Niall Sheehy as stoker Barrett, Oliver Marshall as the telegrapher Harold Bride and Devon-Elise Johnson as passenger Kate Murphy. Southerland’s decision to see the cast arrive through the auditorium also works particularly well, establishing a closer connection with the audience.

Niall Sheehy in Titanic The Musical.

Niall Sheehy in TITANIC THE MUSICAL. Photo by Scott Rylander

But the real star of the show is Yeston’s surging and melodic score, which is performed with power and poignancy by Mark Aspinsall’s six-piece band. GODSPEED TITANIC and THE PROPOSAL/THE NIGHT WAS ALIVE stand out in particular for pulling on the heart-strings, with stunning vocal harmonies by the ensemble cast. In fact, the only real disappointment was a slight issue with sound on one of the musical numbers which hindered an otherwise flawless production.

If you’re willing to look beyond its title, there is plenty to love about TITANIC THE MUSICAL. A modern musical masterpiece about a legendary piece of history.

(4.5 / 5)

TITANIC THE MUSICAL runs at The Lowry, Salford until 12 May 2018. 

Donna is the Editor of Frankly, My Dear UK. By day, she is a digital marketing whizz, by night she reviews film, theatre and music for a wide range of publications including WhatsonStage, The Public Reviews and ScreenRelish. Loves Shakespeare, prosecco and Formula 1