Category BFI London Film Festival

BFI #LFF 2021: White Building (BODENG SAR) Film Review

Piseth Chhun in WHITE BUILDING (2021)

Piseth Chhun in WHITE BUILDING (2021). © Anti-Archive / Apsara Films

Kavich Neang’s returns to the big screen with his fictional debut WHITE BUILDING, a slow-cinema eulogy about Cambodia’s present and recent past

3.5 out of 5 stars

Following his acclaimed documentary LAST NIGHT I SAW YOU SMILING, Kavich Neang’s returns to the big screen with his fictional debut WHITE BUILDING, a slow-cinema eulogy about Cambodia’s present and recent past.

20-year-old Samnang (Piseth Chhun) lives with his family in the majestic W...

Read More


MONEY HAS FOUR LEGS Production Still

Despite struggles with its structure, MONEY HAS FOUR LEGS pays homage to Myanmar’s rich history of cinema and its struggle with censorship.

3 out of 5 stars

Last year marked the centenary of Burmese cinema, but many believe its golden days are long over. Dictatorship, corruption, and strict censorship threaten to stifle the creativity of struggling Burmese filmmakers, as Maung Sun’s feature debut MONEY HAS FOUR LEGS attempts to demonstrate.

Set in the post-military world of Myanmar, MONEY HAS FOUR LEGS follows...

Read More

BFI #LFF 2020: AMMONITE Film Review

Kate Winslet and Saoirse Ronan in Ammonite (2020)

Kate Winslet and Saoirse Ronan’s moving and unguarded performances impress in AMMONITE, Francis Lee’s forbidden-love story set in 1820s England

3.5 out of 5 stars

British writer and Director Francis Lee follows GOD’S OWN COUNTRY with AMMONITE, a solemn love story sparked by Kate Winslet and Saoirse Ronan.

Set on the overcast coast of Lyme Regis in the 1820s, AMMONITE tells the fictionalised life story of amateur palaeontologist Mary Anning (Katie Winslet) who lives a solitary, nearly silent life with her ...

Read More

BFI #LFF 2020: NEW ORDER (Nuevo Orden) Film Review

Naian González Norvind and Fernando Cuautle in Nuevo orden (2020)

Violent and nihilistic, Michel Franco’s latest drama NEW ORDER is a riveting and suspenseful dystopian drama that resonates in these deeply troubling times

4 out of 5 stars

Michel Franco’s latest drama NEW ORDER marks a stark departure from the stylistic austerity and character-driven work of his previous films AFTER LUCIA and CHRONIC.

Best described as a suspenseful dystopian drama, NEW ORDER’s initial gaze is set on a luxurious home in Mexico City, where a wealthy white family is throwing a private wed...

Read More



Informative and entertaining, ONE MAN AND HIS SHOES charts the cultural and commercial phenomena of Air Jordan and the basketball legend who gave the sneakers their name

3.5 out of 5 stars

You don’t need to be a sports fan to know who Michael Jordan is. You also don’t need to be a sneaker fan to have heard of Nike’s Air Jordan...

Read More

BFI #LFF 200 METERS Film Review

Ali Suliman in 200 Meters (2020)

Despite some questionable plot devices, Ameen Nayfeh’s 200 METERS is a tense and emotional drama about the human implications of separation

3.5 out of 5 stars

Israel’s controversial West Bank barrier is at the centre of Ameen Nayfeh’s feature debut 200 METERS, a humanistic drama about a Palestinian father trapped on one side of the wall when a family emergency calls him to the other.

Every night, Mustafa (Ali Suliman) says goodnight to his children by flashlight, signalling across the 200 metres that keep them...

Read More

BFI #LFF 2020: FAREWELL AMOR Film Review

Ntare Guma Mbaho Mwine in Farewell Amor (2020)

Quiet, sensitive and thought-provoking, FAREWELL AMOR is an affecting feature debut from promising Tanzanian-American filmmaker Ekwa Msangi

4 out of 5 stars

Migration, memory and the importance of home are deftly explored in Ekwa Msangi’s affecting feature debut, FAREWELL AMOR, a thought-provoking drama about a New York-based Angolan man who finally reunited with his family.

As Walter (Ntare Guma Mbaho Mwine) reaches out to hug his daughter Sylvia (Jayme Lawson) and her mother Esther (Zainab Jah) at JFK air...

Read More

BFI #LFF 2020: HONEYMOOD Film Review

 Ran Danker and Avigail Harari in Honeymood (2020)

While some of the comedy falls a little flat, Talya Lavie’s tough and empathetic take on romantic foibles in HONEYMOOD smartly subverts the typical “happily ever after” ending

3 out of 5 stars

Fresh from the success of her debut feature ZERO MOTIVATION, which won Best Film at the Tribeca Film Festival along with six Israeli Academy Awards, Director and Screenwriter Talya Lavie is back at the BFI London Film Festival with her new romantic comedy, HONEYMOOD.

Arriving at their lavish honeymoon suite on thei...

Read More

BFI #LFF 2020: HERSELF Film Review

Sandra Dunne and the cast of HERSELF (2020)

Intimate, timely and empowering, Phyllida Lloyd’s latest film HERSELF is one of the strongest films of the BFI London Film Festival so far

4 out of 5 stars

Phyllida Lloyd’s latest film HERSELF may not get the big-screen attention her previous work MAMMA MIA! or THE IRON LADY did, but this new British-Irish hope drama more than deserves its place in the spotlight thanks to its stirring script and superb lead performance from co-collaborator Clare Dunne.

HERSELF tells the story of Sandra Kelly (Clare Dunne)...

Read More


Midge Costin at the BFI London Film Festival

Director Midge Costin talks to Frankly My Dear UK about MAKING WAVES: THE ART OF CINEMATIC SOUND and why sound is so important in film

From the buzz of the lightsabers in STAR WARS to the deafening silence in A QUIET PLACE, the importance of sound in cinema is undeniable. Yet, it is also an art form that is often forgotten about...

Read More